Even though I am based in New York, I do go to Egypt once every year for a few months to work on a personal project.
This routine in 2007 and was getting a few assignments while being in Egypt; it was a perfect situation as I speak fluently Arabic and felt as much home there as in New York.
In 2011 the revolution started during my stay in Egypt. I first documented it as a personal project then numerous assignments started coming inâ€¦ Unfortunately just after a few intense weeks on the streets dealing with the tension and the violence I slowly realized this wasnâ€™t for meâ€¦ I was in Tahrir square everyday with a Hasselblad and a fix lens while other war photographers sent there had big zoom lenses, and were gearing up with helmets then bullet proof jackets and teargas masks. Not only I didnâ€™t have the institution or the cash to provide me with that material but I also didnâ€™t feel this was who I wasâ€¦ Still assignments were coming in and I was working.
The flow of the events was so intense that many international photographers moved to Egypt, making it their base as there was so much work to be done. As a result I got less an less assignments and felt relieved that I did not have to deal with all that violence first hand anymore.
That experience made me realize a lot of things about myself which leads me today to want to explore another type of photography where I will be more in control of the environment and less controlled by it, where I can be more free.
Back in New York now, I am trying to distance myself from the traditional documentary work to experiment photography in a new way, re-inventing my way of seeing things, being more creative with the concept of what is reality.